SARWAT GILANI TO WORK WITH ‘ONE OF BOLLYWOOD’S KHANS
Ever since Pakistani divas such as Mahira khan Humaima Malick and Marwa hocane made it big across the border, Bollywood offers have really been the talk of the town in the local entertainment industry.
While Humaima Malik and Mawra Hocane might not have been as lucky as Mahira when it came to high-profile co-stars, it seems Jawani Phir Nahi Ani (JPNA) actor Sarwat Gilani is set to become the next Pakistani beauty to work alongside a prominent Khan of Bollywood. Talking to The media, Sarwat hinted towards the nature of her Bollywood debut, saying, “It’s going to be a Khan film … I will be working with one of the Khans.” Not willing to divulge more details, she said more will come to the fore when the time is right.
However, this doesn’t mean Bollywood has fully charmed her away from the Pakistani industry. On the TV front, the actor will next be seen in the play, Mohabbat Jeena Chahti Hai. Inspired by late Pakistani poet Parveen Shakir, the drama revolves around the love triangle between characters essayed by Sarwat, Naumaan Ejaz and Mikaal Zulfiqar. About the play, she willingly conceded, “It’s underlying message is the issue of forced marriages.
Sarwat recently helmed the stage play, Kis Ki Topi Kis Ke Sar, and is on the lookout for a suitable script. “Instead of doing a tragic story, we are interested in more of a comedy play that has also has a serious message,” she maintained. “Sad dialogues passed in between comedy shine best and stay with the audience for longer.”
Jawani Phir Nahi Ani was her first film to make it to the theatres and become the highest grossing film in the history of Pakistani cinema. Hailing from a Pukhtun family, Sarwat found no difficulty in playing the role of a Pukhtun woman in the film. “People loved my role because I played it very naturally. I didn’t have to make up the accent because I am familiar with Pukhtun culture to a great extent.
Even though short film Baat Cheet was her first film appearance, she considers JPNA as her official silver screen debut. Drawing parallels between the two experiences, she noted, “Baat Cheet was a 20-minute art film. I personally wasn’t expecting anything from it but it did well internationally.