The Smurfs may be feeling kind of blue.
The cuddly creatures’ once-promising film franchise is looking awfully creaky after Smurfs: The Lost Village stumbled at the domestic box office this weekend. The Sony release opened to a negligible $14.1 million.
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With the Smurfs failing to generate much excitement, DreamWorks Animation and Fox’s The Boss Baby captured first place at the North American box office for the second consecutive weekend, earning $26.3 million to push its domestic haul to $89.4 million. Disney’s Beauty and the Beast came in second, pulling in $25 million to push its stateside grosses to a lordly $432.3 million.
Box office analysts blame the glut of family titles for hobbling the Smurfs. “They should have waited a few weeks to open it,” said Jeff Bock, an analyst with Exhibitor Relations.
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Bock was ready to write the obituary for the franchise, saying, “A major studio does not open an animated film at $14 million and expect to have a sequel.”
This weekend is something of a throat clearing for the industry. The Fate of the Furious, the latest chapter in Universal’s long-running chronicle of vehicular carnage, is slated to roar into theaters next Friday. It should dominate ticket sales, racking up an $100 million debut and keeping Vin Diesel in designer tank tops for the foreseeable future.
“It’s looming large on the horizon,” said Paul Dergarabedian, senior media analyst at ComScore. “It’s going to be a monstrous debut.”
Sony isn’t ready to wave the white flag on the Smurfs. The studio notes that the previous two films earned more than 70% of their gross from foreign markets. The studio is also pleased with the film’s A CinemaScore, a sign that audiences are responding to the picture.
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“We delivered a film that I think is the best yet,” said Rory Bruer, Sony’s domestic distribution chief. “Word-of-mouth should be strong.”
Sony also reined in costs. Smurfs: The Lost Village has a $60 million production budget, a fraction of the previous two entries’ price tag. However, the weak result extends a punishing period for Sony. The studio has been dogged by bombs such as Life and Inferno, while highly anticipated releases such as Passengers, a science-fiction romance with Chris Pratt and Jennifer Lawrence, struggled to turn a profit.
Overall ticket sales were up more than 15% on the prior-year period. Last year at this time Melissa McCarthy’s The Boss topped charts with a $23.6 million bow. Thanks to hits such as Beauty and the Beast and Logan, 2017 continues to outpace 2016, with revenues up 5%.